This is a walkthrough post for "Pandora's Box", a fascinating and complicated quest in Vampyr . It spans through several main missions and is connected with a subsequent brilliant puzzle that opens a secret vault which, in turn, rewards you with a cool weapon, a special collectible and an achievement. Main mission "Unnatural Selection" : after you find your way via the sewers to reach the Temple Church area but before you go to meet Aloysius Dawson, run around the perimeter of the church to locate an underground passage. At the end of this passage, an Indian fortune teller, Usher Talltree, will be sitting surrounded by curios, doing his magic. Talk to him to get one important hint for Aloysius Dawson, and also have him offer you his quest, Pandora's Box, to find his stolen notebook. If you have enough money, you can ask him to "read the cards" and every time you do this, he will give you hints on several residents. I skipped this part, since it is
Going on with my Tomb Raider Nostalgia Playthrough Series, I am now playing Tomb Raider: Chronicles, the fifth game of the classics.
I remembered Chronicles fondly, and when I started to play it again after so many years I realized why, but then I got to the notorious VCI section and everything got a bit messy. The last three levels of the game are among the best of the classic Tomb Raiders, and maybe the most original and innovative compared to the rest of the series of that era, but at the same time they are so hard and so incredibly buggy that eventually the VCI adventure turns into an assemblage that could only be compared to Stefano Valentini's morbid creations: on the one hand the bugs can be hellish; from frustrating to literally game-stopping. Although sometimes said bugs may also have fortunate outcomes: as you will see in my video, at some point I tried to make Lara stealthily neutralize a guard, which she refused to do; at that point, the guard surprisingly turned around and left the room, totally ignoring her, so I managed to go on with the level undisturbed. In an other section, a ceiling trapdoor that was supposed to open never did so, but Lara was nonetheless able to climb in the room above; the consequence of this was that two extra guards that were supposed to appear when the trapdoor would open, never showed up. I am not complaining for bugs like these. On the other hand, there is great atmosphere in the VCI, fantastic stealth sequences, enemies that are not only tougher than usual but also cunning, and some of them have traits or accessories that make them extremely hard to kill. Lara doesn't have her trademark pistols, which means we don't have the unlimited ammo luxury available, and the developers have implemented new elements, like having Lara equip a rifle with a scope for the first time, as well as a grappling gun, and use chloroform to neutralize the enemies while moving with stealth. Considering all that stuff in retrospect, I am thinking now that the three VCI levels (The 13th Floor, Escape With The Iris and Red Alert!) were maybe an attempt to prepare the ground for a - then - future Tomb Raider that would probably shift towards a different direction, a game that could have elements of stealth and heavy action involved; something that unfortunately never happened back then.
Setting that aside, however, the rest of Chronicles is pure old Tomb Raider as far as the stories and the environments are concerned, with the Rome section being a reminiscent of Venice from Tomb Raider 2, and the Submarine levels bringing back memories from Tomb Raider 3's Antarctica. The Ireland section, in which we get to play with a teenage Lara, is also somewhat different, because our heroine doesn't have any weapons in those levels - thankfully there are neither enemies that need to be shot - and the whole story is set around local folklore and magic.
Like in the previous - as well as in the upcoming - playthroughs of the classic Tomb Raiders, here too I am not going for all kills or pickups, but I do find all secrets in each level. That said, if a pickup is very tricky and challenging, I do go for it anyway for the sake of exploration and discovery which are both so important in Lara's adventures. My playthrough is split in four parts:
Part 1 is Rome: Streets of Rome, Trajan's Markets, The Colosseum.
Part 2 is The Submarine: The Base, The Submarine, Deepsea Dive, Sinking Submarine.
Part 3 is Ireland: Gallows Tree, Labyrinth, Old Mill.
Part 4 is the VCI Headquarters: The 13th Floor, Escape With The Iris, Red Alert!
At the end of the VCI section / video, I have also left the flyby's that show after the credits, because they offer some interesting bonus scenes.
As much as I love replaying Odyssey, in my opinion nothing beats that first time exploration and discovering everything from the beginning. For this reason, I decided to record a playthrough in New Game, where I start from Level 1 and get everything from the start. There is a lot of grinding of course, which for some people may be tiresome or boring, but personally I enjoy it in this kind of games, and Odyssey especially which, moreover, is among the games that I love the most. My intention was to reach Level 99+, but after covering everything (and more), the highest that I managed to achieve was Level 82. What I cover: Basically all the stories and everything that is on the map, namely: -The main Odyssey story -The modern day story -The Gates of Atlantis (the four artifacts) -From The Shadows (the Cultists questlines) -Legacy of the First Blade -The Lost Tales of Greece and the two special blue-colored bounties -The Heir of Memories including the three Underworld episodes (Elysium, Un
Next up in my Tomb Raider Nostalgia Playthrough Series is Tomb Raider 3, the third installment of the classics. There were quite a few innovations in this game compared the to the first and the second, the most memorable being the fact that, after the first section was completed, you could play the subsequent three adventures in any order you wanted. Like in Tomb Raider 2, a brief but fabulous bonus level would unlock if you completed the game with all secrets found. Since these playthroughs are going to be a one-time thing - that is, I will probably won't be replaying the classic Tomb Raiders in full, any time soon at least - I am trying to cover as much stuff as possible. Random kills or pickups that have no interest or are simply in the regular path, may be left behind, but I do find all the secrets and if there is exploration involved (including pickups) in areas that are optional, I go for them as well. In this game in particular, I am referring to the legendary River Ganges l
This is a walkthrough post for "Pandora's Box", a fascinating and complicated quest in Vampyr . It spans through several main missions and is connected with a subsequent brilliant puzzle that opens a secret vault which, in turn, rewards you with a cool weapon, a special collectible and an achievement. Main mission "Unnatural Selection" : after you find your way via the sewers to reach the Temple Church area but before you go to meet Aloysius Dawson, run around the perimeter of the church to locate an underground passage. At the end of this passage, an Indian fortune teller, Usher Talltree, will be sitting surrounded by curios, doing his magic. Talk to him to get one important hint for Aloysius Dawson, and also have him offer you his quest, Pandora's Box, to find his stolen notebook. If you have enough money, you can ask him to "read the cards" and every time you do this, he will give you hints on several residents. I skipped this part, since it is
This is my playthrough of Resident Evil 4 Remake in Professional difficulty, New Game, and No Damage mode. The "no damage" part was the real challenge, of course, because of certain traits that the game has that make such a mode quite frustrating. The remake is nothing like the classic Resident Evil4 when it comes to attempting a run without getting scratched. Technically, the original was more difficult but it was set up in such a way as to allow you room for planning out an effective strategy. The Knights room, for instance, the room where, in the original game, you find the King's Grail, has very limited space compared to its counterpart in the remake, which is the room where you find the Lion's Head; but the way the enemies move and attack, you can organize your strategy a lot better than in the remake, where the knights wiggle their heads so much and so fast that landing a successful headshot on them feels like some kind of impossible feat. In the remake, alth
The last playthrough in my Tomb Raider Nostalgia Series is that of the very first game, both of the classics and the series as a whole. The original Tomb Raider game is a pure vintage gem with so much sentimental value that it makes up for the fuss that you have to go through in order to decently run and record it on a modern computer system. The resolution is a bit low in the main game, but everything is smooth and running well in Unfinished Business, the Gold expansion, which, by the way, is one of the two classic Tomb Raiders that I have played less (along with The Lost Artifact, as I mentioned in my Tomb Raider III report). Now playing UB again, I remembered why: although it is beautiful visually and very elaborate as far as gameplay and puzzles are concerned, I soon got fed up with those mutant mummies with their annoying (insert non-decent characterization here) screeching noises. Regardless, the Gold expansion, like the main game, is a lovely game, and very interesting too fr
A playthrough of Resident Evil 3 Remake in Hardcore difficulty. I am using the default inventory (no shop items) and I am not taking any damage. There are a lot of things that I like about the remake of Resident Evil 3, and a few that I'd rather do without. I love its atmosphere and overall design, which give out this compelling claustrophobic feel, and the fact that it is action-based, although I admit that I was looking forward to a revamped version of the Clock Tower, the Park or the Cemetery and the Clock Tower puzzles. And I do not like certain aspects of its gameplay that could have been great additions if they were implemented in a more player-friendly way. More specifically, the game has a set of mechanics which, although in reality are more elaborate than those of Resident Evil 2 Remake, in practice they don't offer you more flexibility. I am talking about the Dodge and Perfect Dodge moves, two evasion techniques that are supposed to save your life when you are in a de
This playthrough is a new and improved "No Merchant" gameplay of Resident Evil 4 in Professional difficulty, New Game, this time with the addition of the "No Damage" rule. A "No Merchant" playthrough of Resident Evil 4 means that you completely ignore the merchant throughout the whole game, which means that not only you cannot upgrade your weapons and your attache case at his "store", but moreover - and most importantly - you cannot buy any other guns from him. Plainly put, you are limited to your default inventory as is, plus the very few extra weapons that you come across in the game itself, namely the Shotgun (chapter 1-1), the Broken Butterfly (chapter 4-1) and the two Rocket Launchers (chapter 3-3 and Final chapter). The "No Damage" part of course consists in sustaining no injury at all. I saved a lot in this playthrough, and I also had to reload a lot. Sometimes because Leon would get hit, but most of the times because I thought I
Comments
Post a Comment